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satirical and dramatic
under pressure of real themes and subjects
June Jordan
commercialism
The speaker attempts to understand her own life through the long history of military wives left to wait and wonder
After Russia: The First Notebook by Marina Tsvetaeva (trans. Christopher Whyte) John Agard satirical and dramaticAfter Russia (1928) is considered to mark the high point in Marina Tsvetaevas output of shorter, lyrical poems. Tsvetaeva told Boris Pasternak that all that mattered in the book was its anguish. Breathtaking technical mastery and experimentation are underpinned by suicidal thoughts, a sense of exclusion from the circle of human love and companionship, and an increasing alienation from life itself. The sequence Trees evokes the hills and woods of
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